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Slamdance Film Festival

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About

From website:

As the preeminent festival whose sole mission is to nurture, support and showcase truly independent works, Slamdance has established a unique reputation for premiering new films by first-time writers and directors working within the creative confines of limited budgets. Slamdance’s goal is to strengthen its year-round efforts in support of these artists and to leverage its name and reputation for the further development of other Slamdance media components.

As a year-round organization, Slamdance serves as a showcase for the discovery of new and emerging talent and is dedicated to the nurturing and development of new independent artists and their cinematic vision.

Started in 1995 by a group of independent artists, the Slamdance Film Festival continues to be organized and programmed exclusively by filmmakers, for filmmakers. This is just one of many elements that make Slamdance a pioneering standout among its festival counterparts. Slamdance lacks much of the red tape and bureaucracy that can convolute the process that independent creators come to festivals for in the first place – a chance to show their work. At Slamdance, the link between artist and festival – and, subsequently, artist and industry – is a direct and cohesive one. Slamdance alumni are recruited to serve as programmers, so first-timers are represented and assisted by Slamdance veterans. It’s what put Slamdance on the festival map to begin with, and what’s made it the viable, big-time contender it is today.

With its renowned film festival as its core, Slamdance has expanded its ventures to include the popular Slamdance.com website, writing competitions for features, shorts, teleplays and horror scripts; the Anarchy Online Short Film Competition; and a $99 Special short film production project.

Slamdance is proud to include among its alumni such cinematic luminaries as Steven Soderbergh, Christopher Nolan, Marc Forster and Jared Hess. Slamdance helped to discover these auteurs and to propel them in the direction that led to their next feature productions. Slamdance has also helped more than 50 festival films find theatrical distribution, including:

The King of Kong, 2007 – Picturehouse and New Line Cinema
Weirdsville, 2007 – Magnolia Pictures
The Sasquatch Dumpling Gang, 2006 – Sony BMG
Zombie Honeymoon, 2005 – Showtime Networks
Mad Hot Ballroom, 2005 –Paramount Classics
Bruce Haack, 2004 – Seventh Art Releasing
End of the Century , 2003 – Magnolia Pictures

Reviews

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